Barras das Almas offers a glimpse of a small piece of countryside that can still be found today in Portugal. The region bears the parks of a past that persists in the present despite the erosion of time. After a career that lasted 30 years, a unique relationship formed between the Lisbon-born photographer and the countryside where he moved and which became his subject. This project is neither a flashback nor a work of nostalgia for the economic prehistory of a country. It is the anchor of a cultural reality that forms the shared imagination of this country which, like Proust’s madeleine, reminds us of the old but ever-present taste of a reality to which we became attached.

Ver artigo completo aqui: http://www.loeildelaphotographie.com/2014/03/20/book/24396/lisbon-barras-das-almas-valter-vinagre

Barras das Almas offers a glimpse of a small piece of countryside that can still be found today in Portugal. The region bears the parks of a past that persists in the present despite the erosion of time. After a career that lasted 30 years, a unique relationship formed between the Lisbon-born photographer and the countryside where he moved and which became his subject. This project is neither a flashback nor a work of nostalgia for the economic prehistory of a country. It is the anchor of a cultural reality that forms the shared imagination of this country which, like Proust’s madeleine, reminds us of the old but ever-present taste of a reality to which we became attached.

Read the full article here: http://www.loeildelaphotographie.com/2014/03/20/book/24396/lisbon-barras-das-almas-valter-vinagre

Life in death

There are photographs that insist on treading the thorniest, least obvious paths. These kinds of photos revel in provocation, suggestion, irony and artfulness, without ever having to resort to floral gameplaying or Baroque zigzags. This is not about taking the bend at speed to see if the vehicle can take it; it’s about taking the bend just for the pleasure of the skid, to go at the limit and watch the dust rising. Valter Vinagre is one of those photographers. They asked him for the breath of life and he gave them the gaping mouth of death. They asked him to take the pulse of nature and he gave them glassy eyes and tongues sticky with varnish. They asked him to celebrate the unstoppable dynamic of biological diversity and he gave them the monotony of taxidermy in its attempts to wound time, staunching it with a terrifying expression, with a body that is a mere capsule of nothing.
The series Pets (Animais de Estimação) acquired form (and life!) following an invitation to the collective kameraphoto to participate in the E.C0 2010 initiative in Madrid, which brought together photographs from twenty collectives from Europe and South America. And yes, in the midst of all the other images of living nature were these theatrical still life shots, which powerfully evoked a much broader idea of nature in all its infinitude and complexity.
There are photographs like that – which cannot be corrected. And that is for our good.

– A short conversation between Sérgio B. Gomes and Valter Vinagre about the exhibition Pets. May 2010.

The book “Animais de Estimação/Pets” by Valter Vinagre, published by Kameraphoto, has a special run of 50 copies, numbered and signed by the author with a photograph of 21,5cm X 21,5cm printed on Ultrasmooth Fine Art Paper. From today until the day of the exhibition/book launch, on March 7 2013, the buyer can choose his own printed photo from the seven that are available.

To see the available images, please click here:
http://www.kameraphoto.com/kgallery/exhibition.next.php?lang=en”>http://www.kameraphoto.com/kgallery/exhibition.next.php?lang=en

Inauguração/apresentação do livro
18:30h, 7 de Março de 2013
Kgaleria – Rua da Vinha 43A, 1200-475 Lisboa

A vida na morte

Há fotógrafos que teimam em trilhar os caminhos menos óbvios, mais espinhosos. Que gostam da provocação, da sugestão, da ironia e de alguma matreirice, sem que isso se pareça em nada com joguinhos florais ou ziguezagues barrocos – não é dar curva só para ver se a máquina aguenta, é dar a curva pelo prazer de derrapar, de andar no limite e de ver a poeira a levantar. Valter Vinagre é um destes fotógrafos. Pediram-lhe o sopro da vida e ele deu-lhes a boca escancarada da morte. Pediram-lhe o pulsar das coisas naturais e ele deu-lhes os olhos vítreos e a língua empastada de verniz. Pediram-lhe a celebração da dinâmica imparável da diversidade biológica e ele deu-lhes a monotonia taxidérmica que tenta ferir o tempo, estancando-o numa expressão terrífica, num corpo que não passa de uma cápsula de nada.
A série Animais de Estimação ganhou forma (e vida!) por causa de um convite ao colectivo [kameraphoto] para participar na iniciativa E.C0 2010 que reuniu em Madrid fotografias de vinte colectivos da Europa e da América do Sul. E, sim, no meio de todas as outras imagens de natureza viva eram estas imagens de natureza morta e teatral que mais poderosamente nos remetiam para uma ideia ampla de natureza, em toda a sua infinitude e complexidade.
Há fotógrafos assim – que não têm emenda. Para nosso bem.

– Dois dedos de conversa entre Sérgio B. Gomes e Valter Vinagre a propósito de Animais de Estimação. Maio 2010.

O livro “Animais de Estimação/Pets” de Valter Vinagre, edição Kameraphoto, tem uma tiragem especial de 1/50 exemplares numerados e assinados pelo autor, acompanhados de uma prova fotográfica de 21,5 cm X 21,5 cm, impressa em Ultrasmooth Fine Art paper. De hoje até ao dia da inauguração/apresentação do livro, dia 7 de Março de 2013, a prova fotográfica que acompanha o livro será à escolha do comprador, de entre as sete imagens disponíveis.

Para consultar as imagens disponíveis, por favor aceda a este link:
http://www.kameraphoto.com/kgallery/exhibition.next.php?lang=pt